Archive for the ‘Art’ Category
Functionalism is essentially an approach to architecture and design rather than a style, and is concerned with addressing practical problems as logically and efficiently as possible. The origins of Functionalism can be found in the theories of the first-century BC Roman architect Vitruvius, which themselves were based on the Hellenistic tradition.
The Classical of functional approach to architecture has since been revived many times: during the Renaissance in the 15-th and 16-th centuries, in the 18 century by Neo-Classical architects and in the 19th century by luminaries such as Gottfried Semper and Eugene-Emmanuel Viollet-le-Duc. In the last half of the 19th century, design reformers in Britain such as A.W.N.Pugin and William Morris also advocated a functional approach to desugn, which led to the manufacture of illuminant products.
But it was American architect Louis Sullivan who coined the expression “form follows function” in 1896 and who is therefore commonly credited with formulating 20th-century Functionalism. During the early half of the 20th century, however, Modern Movement designers allied Functionalism with Rationalism and looked for universal design solutions rather than national ones. The teaching at the Staatliches Bauhaus in Dessau was founded on this quest and designers such as Ludwig Mies van der Rohe, Marcel Breuer, Le Corbusier and J.J.P. Oud experimented with industrial materials such as tubular metal, steel and glass so as to create functional furniture and buildings.
The term of constructivism refers to a movement primarily in Russian art, design and architecture. Prior to the WW1, the Russian avant-gard, like their European counter-parts, were imspired bu cubism and futurism. After the 1917 revilution, however, th Russian avant-gard sought new forms of expression that related to the Sovirt desire to supplant the capitalism system with more democratic schemes for the production and distribution of goods. To this end, artists such as Vladimir Tatlin,Kasimir Malevich, Alexander Rodchenko and Wasily Kandinsky began promotion an aesthetic and approach to design that was allied to industrial prouction.
Constructivism is very optimistic style of art referring to the optimistic, non-representational relief construction, sculpture, kinetics and painting. The artists did not believe in abstract ideas, rather they tried to link art with concrete and tangible ideas. Early modern movements around WWI were idealistic, seeking a new order in art and architecture that dealt with social and economic problems. They wanted to renew the idea that the apex of artwork does not revolve around “fine art”, but rather emphasized that the most priceless artwork can often be discovered in the nuances of “practical art” and through portraying man and mechanization into one aesthetic program.
Obviously today everyone has an idea what avant-garde is.
Some of us prefer avant-garde designed wall clocks, some of us furnish rooms with avant-garde designed furniture. Of course, this is well known stream in art and its most outstanding plenipotentiaries are such famous names as Filonov, Kandinski, Malevich, Rodchenko and more. Since the avant-garde was conceived in Russia at the end of the 19th century, the term “avant-garde” have started widely used to define attempts to forge new dimensions to our aesthetic and even political definitions of reality. Now the term ”avant-garde” refers to architects, designers, artists, writers, musicians, whose techniques and ideas are in advance of those generally known or accepted. As regards avant-garde design it has traditionally made up only a small percentage of manufactured goods, yet its influence on the history of design has been enormous.

The Wassily Chair, also known as the Model B3 chair, designed by Marcel Breuer in 1925-26.
For mach of the 20 century avant-garde designers have remained outside the industrial mainstream owing to the limited appeal of their work and it has taken sometimes many years widely held tastes and attitudes to catch up. Marcel Breuer’s pioneering tubular metal furniture from the late 1920-s and early 1930-s, for instance, was not nearly as widely accepted in its own day as it was in the 1960-s and 1970-s.
The work of avant-garde is frequently given the adjective “New” – New Art, Art Nouveau, New wave – to describe its forward-looking agenda.
What is this? How do you you think?

This is balloon sculpture by Jason Hackenwerth. He creates massive surreal balloon sculptures that can take more than a week to complete.

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